Friday, 28 October 2016

Ion Dissonance - Cast The First Stone Review

Hailing from Quebec Ion Dissonance are Extreme Mathcore Metal supremo's who as you'd expect incorporate dissonant tuning, syncopated drumming along with varied, unexpected time signatures but with their own distinct brand of energy and agression to create a anarchic symphony of destruction.

On 18 November they're unleashing Cast The First Stone into the world and we at Behind The Beat Music Blog care enough about your personal aural preservation to prepare you for this monumental event.



Cast The First Stone


Ion Dissonance cast the first stone (I'm here all week) with Burdens which smacks you straight in the flaps with its psycho-chaotic abbrasiveness. Any sign of melody has the vocal cutting through it unsympathetically, like the bad guy you secretly want to win. It's really well performed extreme and technical metal and leaves you under no illusions as to what your going to get with this album, a fucking good bludgeoning!

The track To Expiate sounds like someone pissed on Sikth's chips and they decided to write a song about it. Even the melodic parts are dissonant, and this works so well, again the intensity has continued. With the pace of the album so far I'm starting to wonder if these guys have a defibrillator offstage to give them a quick jump start between tracks. And it's exciting, angry and interesting to listen to.

To Lift The Dead Hand Of The Past blows my mind. It has everything for me that I'd want. The vocals are gutteral and relentless, it has some incredible, almost jazz like in parts, guitar work which is something to behold from the chugs to the melodic lead lines. I realise at this point, this is more than just a good Mathcore release, but something that could stand up there shoulder to shoulder with the likes of Sikth (you may never hear me say that again) and Meshuggah.

Suffering...The Art Of Letting Go provides an element if groove and more normal structure which is a nice break from the joyous chaos in the album. Its also an absolutely storming track that I found myself involuntarily head banging to all the way through.



D.A.B.D.A A State Of Decomposure in parts has the deep satisfying heavyness of Meshuggah but with Ion Dissonance's personalised machine gun delivery. This track is, simply, epic and note for note, it's my favourite on the album and I can see this being a fan favourite as it hits every mark, including a slow jazzy breakdown, providing the perfect opportunity for their lead singer to get his defibrillator action stage left.

The album is seen out the same way it came in with Perpetually Doomed: The Sisyphean Task. Whilst it maintains intensity it has an almost orchestral feel with some of the guitar work which makes the track seem to fly by as you really get into it. A great end to a great album.



Conclusion


This is an album that not only improves as each track goes by but improves also with every listen. You can only sit back and admire the pure skill in musicianship and composition, and as far as Extreme Metal and Mathcore metal goes, personally for my taste, I've not heard many better albums.

Score 4.5/5



Label: Good Fight Music

Ion Dissonance Are:
Kevin - Vocals
Antoine - Guitar
Sebastian - Guitar
Jean-Francois - Drums
Dominic -Bass

Track List:
1. Burdens
2. The Truth Will Set You Free
3. To Expiate
4. To Lift The Dead Hand of The Past
5. Untitled II
6. Suffering: The Art Of Letting Go
7. Ill Will
8. D.A.B.D.A State of Discomposure
9. Treading on Thin Ice
10. Virtue
11. Perpetually Doomed: The Sisyphean Task

Released 18 Nov, Pre order on Bandcamp/Amazon (US)/Itunes

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Author: Jonny Radley

Monday, 24 October 2016

Headless Kross - Projections I Review

Headless Kross formed in Scotland in 2011. They are a Psychedelic Doom band who use an unearthly vocal style along with a satisfyingly fuzzy bass and heavy as a wrecking ball in your crotch guitar sound. We’ve been sent their new Album, Projections I, the first part of a pretty exciting trilogy of releases, all due out within the next 12 months, to review. You’ll be able to get your filthy hands on this instalment on 18th November.

Now let’s not fuck around here, these guys have shared the stage with the likes of Conan, Orange Goblin, Jucifer and Slomatics, and you don’t get to do that if you’ve got nothing going on! They’ve already shattered a few eardrums and expectations with their second full length album Volumes in 2015, so many will be interested to see how Projections 1 fares.

Projections I



From the opening notes of Does Not Equal Time I’m enthralled. Straight away it is heavy and sublimely Doom, with a neck cranking groove. The distant scream vocal adds to the atmosphere as musically it chugs along, satisfyingly low tempo and fuzzily. Then halfway through the speed is increased in a hypnotising repetition of riff, where the drum beat is the only thing that changes, adding an underlying intensity, then slowness, then intensity again. The Drum work single handedly changes the mood of the track whilst everything else stays the same and I find it so effective in terms of song writing. This is a composition that draws you in and allows you to lose yourself, something only great Doom metal bands achieve.



Practical Mental Effects introduces itself with layers of feedback and a gut-wrenching scream, an indication as to what you’re going to hear vocally for the remainder of the song. It is so slow, it makes a sloth look like Usain Bolt, but this adds to the intensity of the heaviness, a few surprises are thrown in in terms of notes, which work well to peak your attention. Again, Headless Kross show a propensity to create interesting sound, when later in the track a spacey solo comes in creating a glorious few moments that alone are worth the 8 minutes this track weighs in at.

In comes the frankly haunting introduction of Church Of The Fifth Season. When the guitar riff comes in some of my uneasiness (like watching a good horror) is lifted, it’s not deep and heavy like we’ve heard so far, but more proggy, psychadelic and epic. Whilst the track does regain the plodding heaviness this track shows more diversity in sound than the previous two tracks. Nothing like keeping things interesting, it’s well placed on the album.

The Map Is Not The Territory has a bluesy, sludgy groove. Sexton’s intense screamed vocal cuts through the proceedings like an eerie, devilish augmentation. When the track starts chugging we get to enjoy some understated blues lines, again making me appreciate the composers’ ability to add so much intrigue with little touches, before the song fades out into a fuzz or bass and guitar, which seems like a fitting end to this album.



Conclusion

This album is grim, abrasive, fascinating, joyous, slooooooow, monolithically heavy and epic all at once. I’m already salivating like a fat man waiting for pizza at the thought of what Projections 2 and 3 are going to bring. But concentrating on this release, the tracks draw you in to the point you’re fully involved in the music, captured in the sublime heaviness and almost hypnotic vocal that you feel may possess your soul. I was genuinely shocked when I sat down and looked at the timings of the songs, that not one of the tracks is less than 8 minutes, such is the level you get involved when listening.

Score 4/5



Headless Kross is: 
Derek Sexton – Bass /Vocals 
Tommy Duffin – Guitar 
Jonny Montgomery - Drums

The album will be available via their Bandcamp page, so you may as well visit now and Download their back catalogue.


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By Jonny Radley

Sunday, 23 October 2016

Throne To The Wolves - Unholiest Of Kings

When Metal and Hardcore finally hooked up after all the playground "I'll act like I hate you because I fancy you" shit, there was a night of despicable passion that resulted in the conception of Metalcore, the great divider.

I'm basically of the school, if it's good it's good. I'm disinterested in the whole "this is what Emo scene kids listened too" b.s as I never paid attention to all that anyway. My personal belief about the genre is though is that it's moved on a long way from those days. And Throne To The Wolves are a decent example of this belief.

They are a metalcore band based in Toronto, Canada and their EP Unholiest of Kings was released in August.

Unholiest of Kings

Opening with the energetic Fear the Faceless, they get right into the nitty gritty with this high energy track full of pace and aggression with a group shout style chorus perfect for fan participation. It's heavy and relentless but it saves its heaviest section for the end with the obligatory Metalcore breakdown to get every one moving, and when you hear this, you wanna move.

Hellraiser has a hint of groove to it which goes down well with me. I realise at this point also that I realise how much the vocals of Billy Hulcup please me, this fellow can howl with the best of them and is capable of some pits of hell style screams. A great choice for the first single.


Bite The Bullet is next up and is a bit more what I would consider to be traditional Metalcore, with a dual clean and heavy vocal. Its a decent track however what comes next really made me pop my head up and take notice...

Every Lit Match (Another Bridge Burned) is a window into the brilliance Throne Of Wolves are capable of. From the start of its eerie intro to the outro it's a balls to the wall thunderbastard, and that in my language is good. High energy, heavy as hell, it's an absolute stomper made to get in the pit for.

Calm Before the Storm brings is back to what I'd consider a standard Metalcore sound, but with some nice little touches, such as a little programmed drum n bass part, not overdone but a nice enhancement which shows the attention to detail in composition. It ends with a great suspense building breakdown before giving you a parting kick in the gut with that brilliant vocal and a heavy riff.

Conclusion

This is a really enjoyable listen. To me it has enough to satisfy the metal heads and Metalcore fans alike. It's got some great little understated touches throughout in terms of programmed sounds but also carries strong musicianship and an excellent vocal.

Score 4/5



Highlights: Hellraiser, Every Lit Match (Another Bridge Burned)

Buy it (less than £3!)

Throne To The Wolves are;
Billy Hulcup - Vocals
Cody McGhee - Drums
James Fyvie and Kyle Jennings - Guitar
Joe Shipton - Bass

Article by Jonny Radley

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Thursday, 20 October 2016

Introducing.......The Last Confidence

The rain's coming down at the usual rate in glorious Manchester as I am once again nursing an absolute mind fuck of a hangover, sipping on a bucket of black lava, getting ready to start the day. So I hit the YouTube button in the search of 'The Last Confidence' and give the existing world the big middle finger as I slip into a headphone coma! 

You know when you're sat there and you think to yourself 'I want something solid, some real pop punk!' Well guess what, these guys are it!! Signed to Loserkid Records and a few videos on tube, welcome to The Last Confidence!



Four dudes making Italy proud in the music industry and standing up strong like a teenage erection on a Summer's day! 

You've got Marco and Christiano both on vox and string tickling, Diego skin smasher and Helio string slapper.

I started talking to Diego over social media as we shared a love for a 'Famous' brand out there and he told me about his band. Now I get a few people who say 'Hey dude, check this band out' but never before have I been so grateful that these guys shared what they had with me!

I checked out the YouTube video for 
'Before the Day I Die' and I was instantly drawn in! Movie theatre, pizza and laid back vibes! Instantly I hear influences of NFG and 'The Starting Line' being played by dudes who look like the surf has just pulled them in and shit them out! It was beautiful! Punchy riffs flowing fluid bassline and a beat that instantly made me wanna throw some shapes that don't even exist and that the owner of the coffee shop I'm currently sat in would judge me for! I wanted more, so much more! So I moved onto the next video



'Miss a moment'
Now if I'm being honest I'm not a fan of lyric videos mainly because my brain is lazier than my ears but........this works! It's cleverly done and not lazy in the slightest, and aesthetically pleasing as it suits the style of the song! College lettering and diary pages with a song so hormonal I was expecting to discover a crusty sock. A chorus that I'm sure will have many fans singing in front of the band as well as dudes and chicks singing to each other at the barrier of the show! I personally would put this on a mix tape......or a playlist as it is in this day and age! I mean what happened to the mix tape?



It really seems that these dudes have found their own sound without falling away from what they want to sound like! You can easily spot the influences of bands such as Blink 182, NFG, The Starting Line, Hit the Lights and the rest of 2002. 

I for one will be listening to these guys for as long as they let me.

Be sure to check out the EP 'Best Break' on iTunes, Spotify and Bandcamp now!

Stay tuned for a full review of the EP very soon, dudes stay pretty you handsome sons of a bitch.


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Author: Jimmy Tinsley

Sunday, 16 October 2016

Introducing..... Reign of Zaius




The world's future is bleak. In just under 2,000 years, when highly evolved Apes have replaced humans as the big dogs, the world will be on it's last legs.

How do I know this?

Beacuse I listen to Reign of Zaius and they are here to warn us.

They proclaim to be renegade Ape scientists who have travelled back from the almost destroyed Earth to warn us of the horrors and doom we are leading ourselves into.

Well that was the plan, until a spliff was smoked. Then they ascended into the world of fuzzy stoner rock and instead geeked out on horror, comics and video games. And this is what we're left with.

Our future is fucking doomed, and it's their fault. Luckily they play some good shit, so I'm already over it.

Planet Of....



Reign of Zaius released their EP, Planet Of... on 13 August. It is brimming with sci-fi, horror references, such as all out stomper Deliver Me, that starts with that epic sequence played by the banjo boy in Deliverance.

Davis Zaius (Bass): "There's been a general pop-culture theme to the band, going back to its very name. Most of our songs focus in some way on comic books, video games, sci-fi, fantasy, and of course horror. Just like the best sci-fi or horror movies, we like to touch on big, serious themes but keep them cloaked in something a little more light hearted."

Gorilla Monsoon (Drums): "If you're into heavy, dark music odds are you're probably drawn to the same type of things in TV, cinema, or literature. Personally, I like the challenge of taking something perceived as vile or chilling and making it not just palatable, but catchy. "Farewell to Arms" (our tribute to Evil Dead 2) has a four-on-the-floor dance bridge in the interest of seeing how to make chants of "Dead By Dawn" and "I'll Swallow Your Soul" work as hooks. "

There is a plethora of catchy hooks and tracks on this EP but they also show off a great range of styles, incorporating aspects of thrash, hard rock, heavy metal into their Stoner Rock cauldron, which makes them stand out as original.

Phantom Cosmonaut (Guitar): "One of the real strengths of this band is that everyone is coming from a slightly different direction, style-wise. That makes the end result something unique and usually difficult to categorise."

Davis Zaius: "We come at a song in terms of what feels right for everyone in the band, and what we think will move the crowd at a live show. We often try to make the unusual or unexpected choice, especially where the rhythm section is concerned, without delving too far into self-indulgent prog rock. A song can be complicated, but it's got to stay groovy."

Leon "Space" Chase (Vocals): "So, most of what you hear is the unconscious product of five different people's tastes and tones smashing into each other, and just seeing what sticks."

Imagine if you will, a stoner rock band with triple threat vocals of Ozzy Osbourne, David Bowie and Dave Mustaine! Catchy opening track Hate Parade made me think of this very scenario and it works well. I asked the band members where their vocal influences come from, comparing the performance to a couple of these artists, and it's a wide and varied set of singers.

Leon "Space" Chase: "While neither of those was my intention, I'll take them both as a huge compliment. I would add Arthur Brown (Uk 60's pop star), Rob Tyner (MC5)".

Davis Zaius: "Mike Patton!" (Faith No More)

Leon "Space" Chase: "Also, Perry Farrell (Jane's Addiction), and of course Ozzy".

Orcs of the Nevermead sounds like a track that could have been written by the aforementioned Dave Mustaine for Megadeth back in the days where he may not have taken him self so seriously. Full of thrashy intent but not quite heavy enough to be thrash, I'd think it'd be a crowd pleaser live.

Tracks like Out to Get Mine and Power Hitter give bassist Davis Zaius a nice stage to show his creativity and ability to create interesting sounds. Out To Get Mine starts with a distorted bass and a dirty ground out guitar riff. It opens up nicely into more catchy riffs, nice solos and good breakdowns. Powerhitter has some effective effects on the bass in parts. It is also a 100% party track which closes the EP on a high note.

Reign of Zaius also give a nice sonic nod to the bringers of doom, Sabbath, in They Live and Farewell To Arms. They Live also has a hint of punk in the chorus and Dead by Dawn is blessed with a splattering if classic metal and opens with the classic line from the film of the same name, "I came here to kick ass and chew bubblegum, but I'm all out of bubblegum". Upon hearing this my 3 year old immediately stated she wanted to go to wherever "here" is because it sounds fun. I checked with the guys but I think I'll be keeping her away for now!

Gorilla Monsoon: "I dunno, a busy bank with aliens and a shotgun-brandishing Roddy Piper might get a little dicey, but you're the parent so that's entirely at your discretion."

Leon "Space" Chase: "Still, I think that the average 3-year-old is probably very in tune with what we do."

Davis Zaius: "Quite."


Power Hitters



There is a lot on show with this band. The EP captures a very authentic live feel. If there was spoken pieces in between each track from members of the band (I'd like to imagine some comical warning against some flesh eating cyber virus due to bit us in the year 2134) I may have thought at times it was recorded at a gig.

Creepy Mo (Guitar): "Our goal was to get a quick-and-dirty recording that showcases what we actually sound like together in a live room".

It is safe to say the goal was achieved successfully.

Take away the brilliant back story and good time vibe though and Reign of Zaius treat us too some real catchy hooks, an interesting and varied vocal and an occasional understanding from the guitarists that they can build some interesting layers of sound by going their own way. Finally I get a real punk ethos feel from the whole project, from the rough and ready sound to some of the delivery.

Who Are You and Where Do You Come From?


Reign of Zaius settled in Brooklyn New York after their arduous journey back through time. I tried to finally ask them if this was the epicentre of some important future event, but they told me to shut the fuck up because they were watching Ash Vs Evil Dead.

They Are;
Leon "Space" Chase on vocals,
Davis Zaius on bass,
Vlad the Inhaler (AKA Phantom Cosmonaut) and Creepy Mo on guitars and
Gorilla Monsoon on drums.

If you want to hear their music go here and get the EP.

If you want to follow them and have a laugh (they post some great stuff) check out Facebook and Twitter.

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Writer: Jonny Radley