Showing posts with label music blog. Show all posts
Showing posts with label music blog. Show all posts

Thursday, 15 December 2016

Interview With A Wizard...... Union Collective

Wizard Union are a Sludgy Stoner band from Ann Arbor/Ypsilanti MI with an interesting sound and ethic. The band started in 2012, when whilst playing with seperate projects Drummer Larry and Guitarist Samir decided to jam together. They later invited Samir's workmate Aaron to play Bass in this project, and have been producing colon crushing Stoner riffs ever since.

I was fortunate to get to hear their new release Phantom Fury and speak to Collective member Samir about how they go about their thing. And no this is not a tale of tragedy, Vampire children and immortality, like the title would have you believe. It's far more interesting than that.


So why is their project any different from anything else? What makes them unique?


Wizard Union are part of a collective, the Wizard Union Collective, which is all about promoting and distributing their various projects. What does this mean? I hear you ask.

Samir: ''Overall it's about having musical freedom to do and play whatever we want without calling it Wizard Union. It's just a part of a larger body of work''. So potentially this approach could incorporate different projects from the same musicians, an opportunity to explore different sounds and genres as a group".

So why does this approach work for Wizard Union?


Samir; (There's) ''No deadlines. (We) release as much as we want from different members. Play shows with whoever is available within the collective. Right now we're still pretty young as a collective, but the three of us have been playing with each other for almost 5 years now, and we're open to jamming with others, and if we jam with someone else and it doesn't sound like Wizard Union, then we'll call it something else and release it''.

So, this is a metally musical melting pot, allowing freedom of expression for the musicians that are involved. An idea that I find fascinating and intriguing, so my main thought is how does it transpose itself to actual performance? Is it garbled, without direction or identity, or is it creative and purposeful?



Listening to Phantom Fury I am pleased to hear a great many influences sounds and also unintentional influences. There seems to be a hardcore punk ethic and I hear hints of EyeHateGod, Thrash even Surfer Rock! Whilst all this is evident it is not confused but instead pleasingly interesting and most importantly as heavy as a left hook from Chuck Norris. I asked Samir where influence were drawn from.

"I'd like to think Wizard Union is what happens when the three of us get together. I know the one band that binds us altogether is The Melvins, but we're all into different shit. I listen to a lot of punk and metal. It's funny you mention surf rock, because I'm definitely a fan, I just never consciously wrote anything like that. I was in a stoner/doom/thrash metal band called Lord Centipede, so maybe that's where the thrash comes from. I like the Eyehategod's Dopesick album.'' (C'mon you like EVERY EyeHateGod Album, just admit it to your self Samir - Editor)

Phantom Fury is full of heavy fuzz, grinding guitars and is held together well by the quality of Larry's drumming. Harsh Tokes Of The Wizards Pipe has grinding guitars, a hint of an eerie edge with a punky style vocal.  Whereas Cosmic Gatekeeper is fast paced, almost a punk track in its own right, until it hits the sludgy breakdowns, slowing the situation down with a pleasing groovy step down sequence.

Ancient Evil Bong chugs along joyously, hitting you aurally with guitar stabs and vocal aggression before taking an inspired turn with a breakdown and buzzing solo then it slowly works itself back into the faster paced chug of Doom.

Burn Bitches, Not Witches would be the crowd pleaser of the tracks, with a chorus that was made for shouting back at the mans and a great lead riff. Not just a pretty name! Samir; ''The chorus Burn Fucking Bitches Not Fucking Witches, came from something I read on the Internet somewhere. I thought, that's funny, I should make that a song title or use it for something. I have lists for song titles, album names, and band names for projects in the collective, for when I find shit like that. Once I had the title for the song I was like so what's this gonna be about? And it's about the Salem witch trial. I guess people can sing along to the chorus if they want to, but that's not what I had in mind when I wrote it.''

Burial Ground opens with a wet psychedelic sounding bass before leading into the most outright stoner riff on the album. My fist reaction was to head bang and there was no cause to stop throughout the entire track. Full of monumental riffage and drum attack, this is an absolutely storming track.

Phantom Fury takes off where Burial Ground finishes, continuing the stoner theme with great riffs but covers more ground musically than any other track, taking many turns and directions.

This is definitely a release that improves with each track in terms of sound and songwriting in my opinion. Speaking to Samir about this progression and future plans he told me;

''Our next Wizard Union band project which we'll start recording next spring is going to be the start of a living LP. We're going to have an album on Bandcamp that keeps getting updated with new songs over time, rather than just releasing a bunch of EPs. When we think the LP is full, we'll release the physical copy and then start the next LP the same way. So the evolution of the songs that you mentioned on Phantom Fury, might be even more apparent on the LPs. We have 3 songs ready to record, and maybe 3-4 written that I think are good enough to start practising, so who knows how different those songs will be compared to our previous works. They're fucking heavy though.''

As far as I'm concerned this a Collective to keep an eye on. They have plenty to offer in terms of the Stoner Sludge sound but also touch on different styles which could open them up to a larger fan base. But to just regard the Wizard Union element would be wrong, there's other things to look forward to from these musicians.

Samir; ''As far as projects we have lined up, Larry and I have a Sludge Punk Noise Rock thing called Bladder that we're planning to record in the spring. That project pretty much came out of he and I playing together as Wizard Union as a duo, because our Bass Player Aaron had to drop out at the last minute, and we didn't wanna cancel'' Samir took over Bass duties for this show as they felt it might add to the Doom effect, but they were not happy with the outcome. ''We didn't necessarily like Wizard Union songs played with just a bass and drums, but Larry was like, hey how about we keep this going as a godheadsilo type thing, and that's pretty much how the collective idea was born. Keep it all under one umbrella.''

Check these guys out on Bandcamp and give them a follow on Facebook and Twitter. If they're you're thing the EP is only $3, which is cheaper than a pint of Fosters Kangaroo Piss. Have a taste below! (of the band not Kangaroo Piss).



Friday, 28 October 2016

Ion Dissonance - Cast The First Stone Review

Hailing from Quebec Ion Dissonance are Extreme Mathcore Metal supremo's who as you'd expect incorporate dissonant tuning, syncopated drumming along with varied, unexpected time signatures but with their own distinct brand of energy and agression to create a anarchic symphony of destruction.

On 18 November they're unleashing Cast The First Stone into the world and we at Behind The Beat Music Blog care enough about your personal aural preservation to prepare you for this monumental event.



Cast The First Stone


Ion Dissonance cast the first stone (I'm here all week) with Burdens which smacks you straight in the flaps with its psycho-chaotic abbrasiveness. Any sign of melody has the vocal cutting through it unsympathetically, like the bad guy you secretly want to win. It's really well performed extreme and technical metal and leaves you under no illusions as to what your going to get with this album, a fucking good bludgeoning!

The track To Expiate sounds like someone pissed on Sikth's chips and they decided to write a song about it. Even the melodic parts are dissonant, and this works so well, again the intensity has continued. With the pace of the album so far I'm starting to wonder if these guys have a defibrillator offstage to give them a quick jump start between tracks. And it's exciting, angry and interesting to listen to.

To Lift The Dead Hand Of The Past blows my mind. It has everything for me that I'd want. The vocals are gutteral and relentless, it has some incredible, almost jazz like in parts, guitar work which is something to behold from the chugs to the melodic lead lines. I realise at this point, this is more than just a good Mathcore release, but something that could stand up there shoulder to shoulder with the likes of Sikth (you may never hear me say that again) and Meshuggah.

Suffering...The Art Of Letting Go provides an element if groove and more normal structure which is a nice break from the joyous chaos in the album. Its also an absolutely storming track that I found myself involuntarily head banging to all the way through.



D.A.B.D.A A State Of Decomposure in parts has the deep satisfying heavyness of Meshuggah but with Ion Dissonance's personalised machine gun delivery. This track is, simply, epic and note for note, it's my favourite on the album and I can see this being a fan favourite as it hits every mark, including a slow jazzy breakdown, providing the perfect opportunity for their lead singer to get his defibrillator action stage left.

The album is seen out the same way it came in with Perpetually Doomed: The Sisyphean Task. Whilst it maintains intensity it has an almost orchestral feel with some of the guitar work which makes the track seem to fly by as you really get into it. A great end to a great album.



Conclusion


This is an album that not only improves as each track goes by but improves also with every listen. You can only sit back and admire the pure skill in musicianship and composition, and as far as Extreme Metal and Mathcore metal goes, personally for my taste, I've not heard many better albums.

Score 4.5/5



Label: Good Fight Music

Ion Dissonance Are:
Kevin - Vocals
Antoine - Guitar
Sebastian - Guitar
Jean-Francois - Drums
Dominic -Bass

Track List:
1. Burdens
2. The Truth Will Set You Free
3. To Expiate
4. To Lift The Dead Hand of The Past
5. Untitled II
6. Suffering: The Art Of Letting Go
7. Ill Will
8. D.A.B.D.A State of Discomposure
9. Treading on Thin Ice
10. Virtue
11. Perpetually Doomed: The Sisyphean Task

Released 18 Nov, Pre order on Bandcamp/Amazon (US)/Itunes

Follow them: Facebook/Twitter 


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Author: Jonny Radley

Monday, 24 October 2016

Headless Kross - Projections I Review

Headless Kross formed in Scotland in 2011. They are a Psychedelic Doom band who use an unearthly vocal style along with a satisfyingly fuzzy bass and heavy as a wrecking ball in your crotch guitar sound. We’ve been sent their new Album, Projections I, the first part of a pretty exciting trilogy of releases, all due out within the next 12 months, to review. You’ll be able to get your filthy hands on this instalment on 18th November.

Now let’s not fuck around here, these guys have shared the stage with the likes of Conan, Orange Goblin, Jucifer and Slomatics, and you don’t get to do that if you’ve got nothing going on! They’ve already shattered a few eardrums and expectations with their second full length album Volumes in 2015, so many will be interested to see how Projections 1 fares.

Projections I



From the opening notes of Does Not Equal Time I’m enthralled. Straight away it is heavy and sublimely Doom, with a neck cranking groove. The distant scream vocal adds to the atmosphere as musically it chugs along, satisfyingly low tempo and fuzzily. Then halfway through the speed is increased in a hypnotising repetition of riff, where the drum beat is the only thing that changes, adding an underlying intensity, then slowness, then intensity again. The Drum work single handedly changes the mood of the track whilst everything else stays the same and I find it so effective in terms of song writing. This is a composition that draws you in and allows you to lose yourself, something only great Doom metal bands achieve.



Practical Mental Effects introduces itself with layers of feedback and a gut-wrenching scream, an indication as to what you’re going to hear vocally for the remainder of the song. It is so slow, it makes a sloth look like Usain Bolt, but this adds to the intensity of the heaviness, a few surprises are thrown in in terms of notes, which work well to peak your attention. Again, Headless Kross show a propensity to create interesting sound, when later in the track a spacey solo comes in creating a glorious few moments that alone are worth the 8 minutes this track weighs in at.

In comes the frankly haunting introduction of Church Of The Fifth Season. When the guitar riff comes in some of my uneasiness (like watching a good horror) is lifted, it’s not deep and heavy like we’ve heard so far, but more proggy, psychadelic and epic. Whilst the track does regain the plodding heaviness this track shows more diversity in sound than the previous two tracks. Nothing like keeping things interesting, it’s well placed on the album.

The Map Is Not The Territory has a bluesy, sludgy groove. Sexton’s intense screamed vocal cuts through the proceedings like an eerie, devilish augmentation. When the track starts chugging we get to enjoy some understated blues lines, again making me appreciate the composers’ ability to add so much intrigue with little touches, before the song fades out into a fuzz or bass and guitar, which seems like a fitting end to this album.



Conclusion

This album is grim, abrasive, fascinating, joyous, slooooooow, monolithically heavy and epic all at once. I’m already salivating like a fat man waiting for pizza at the thought of what Projections 2 and 3 are going to bring. But concentrating on this release, the tracks draw you in to the point you’re fully involved in the music, captured in the sublime heaviness and almost hypnotic vocal that you feel may possess your soul. I was genuinely shocked when I sat down and looked at the timings of the songs, that not one of the tracks is less than 8 minutes, such is the level you get involved when listening.

Score 4/5



Headless Kross is: 
Derek Sexton – Bass /Vocals 
Tommy Duffin – Guitar 
Jonny Montgomery - Drums

The album will be available via their Bandcamp page, so you may as well visit now and Download their back catalogue.


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By Jonny Radley

Thursday, 20 October 2016

Introducing.......The Last Confidence

The rain's coming down at the usual rate in glorious Manchester as I am once again nursing an absolute mind fuck of a hangover, sipping on a bucket of black lava, getting ready to start the day. So I hit the YouTube button in the search of 'The Last Confidence' and give the existing world the big middle finger as I slip into a headphone coma! 

You know when you're sat there and you think to yourself 'I want something solid, some real pop punk!' Well guess what, these guys are it!! Signed to Loserkid Records and a few videos on tube, welcome to The Last Confidence!



Four dudes making Italy proud in the music industry and standing up strong like a teenage erection on a Summer's day! 

You've got Marco and Christiano both on vox and string tickling, Diego skin smasher and Helio string slapper.

I started talking to Diego over social media as we shared a love for a 'Famous' brand out there and he told me about his band. Now I get a few people who say 'Hey dude, check this band out' but never before have I been so grateful that these guys shared what they had with me!

I checked out the YouTube video for 
'Before the Day I Die' and I was instantly drawn in! Movie theatre, pizza and laid back vibes! Instantly I hear influences of NFG and 'The Starting Line' being played by dudes who look like the surf has just pulled them in and shit them out! It was beautiful! Punchy riffs flowing fluid bassline and a beat that instantly made me wanna throw some shapes that don't even exist and that the owner of the coffee shop I'm currently sat in would judge me for! I wanted more, so much more! So I moved onto the next video



'Miss a moment'
Now if I'm being honest I'm not a fan of lyric videos mainly because my brain is lazier than my ears but........this works! It's cleverly done and not lazy in the slightest, and aesthetically pleasing as it suits the style of the song! College lettering and diary pages with a song so hormonal I was expecting to discover a crusty sock. A chorus that I'm sure will have many fans singing in front of the band as well as dudes and chicks singing to each other at the barrier of the show! I personally would put this on a mix tape......or a playlist as it is in this day and age! I mean what happened to the mix tape?



It really seems that these dudes have found their own sound without falling away from what they want to sound like! You can easily spot the influences of bands such as Blink 182, NFG, The Starting Line, Hit the Lights and the rest of 2002. 

I for one will be listening to these guys for as long as they let me.

Be sure to check out the EP 'Best Break' on iTunes, Spotify and Bandcamp now!

Stay tuned for a full review of the EP very soon, dudes stay pretty you handsome sons of a bitch.


Follow Them: Facebook


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Author: Jimmy Tinsley

Saturday, 15 October 2016

Wired For Havoc - Roll With The Punches. Album Review


So I'm currently sat here naked, why are you naked Jimmy? I hear you all ask. Well, let me tell you!

After having a little chat with the guys at Manic Kat records they hit me up on a band called Wired For Havoc. These guys released a full length album on Friday and dude was I keen to hear it! 

Who are they? Well they're a 5 piece from Provo, Utah consisting of;

Andrew Connor- Vocals 
Chase Gerber- Guitar
Devin White- Guitar
Houston Peterson- Bass/Vocals
Sean Michael Gordon- Drums.



They're signed to Manic Kat Records .

I tuned into my trusty Apple Music, searched, and there it was..

Roll With The Punches


The cover shows some Abraham from the Walking Dead lookalike dude, looking as though he's gonna rip your face off and wear it for Halloween. Now I like my face (as I'm sure many of you are starting to notice) but I was willing to take the risk of losing it for the sake of this record. 

I hit play and as I sat back and my clothes just flew off! That is why I am sat here naked. So boys and girls, hold onto your panties because this one is a whirlwind!

The album starts off with Vagabond.
The gateway drug of the album for sure, providing an awesome balance of angelic vocal to the 'I've just been punched in the dick' growl that we all know and love! This track really does set the tone perfectly for what's to come. The next track that really grabs me by the balls is 

The next track that really grabbed me by the balls was Patience. Dude I could already picture myself in a club signing to the DJ whilst punching the air pretending I'm giving the world the best performance of the night. I can really hear some A Day To Remember in this track both musically and vocally. There's a cute little breakdown which throws you right back into that 'dick punch' just to bring the track back in. 



Dis-order is hands down my favourite track on the album, I got so excited I could feel my dicks heartbeat! A real Of Mice and Men sound which for me is perfect! The guitar work is a beautiful dark chunder thunder of power and beats that come at you like a blizzard.



The track Diamonds has such a fitting name. This is both lyrically and musically beautiful. When I was younger we made super hot chicks mixtapes (I'm sure you've all heard of them, they're not just myth) so they would fall in love with us, or give us a blowie behind the bike sheds. This is one of those tracks, I would throw this one on my mix tape for sure. I swear my ears melted onto my shoulders.

Satellites is a great song to close the album with, it's got that Punk influence guitar wise, piercing through those dual vocals leaving no room for error. The track starts to wind down in an atmospheric euphoria that the boys in Brand New would be proud of.


Conclusion


This album for me is staying in my personal collection, I already get a feel for what they are going to be like live so I really hope we get the pleasure of seeing them over here. I best go put my clothes back on........


Score 4/5



Get it: iTunes/Spotify/Bandcamp 

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Thursday, 13 October 2016

When Thieves Are About

So I'm sat in my local coffee shop with the strongest of dark lava after a pretty weird night soaking up all the boozy blues and I reach for my headphones. Nothing like some teenage angst Pop Punk anthems to put nautical stars in my eyes huh?!

I came across these guys in the same way as when you hook up with a hot girl and don't bag up ad then 9 months later you're being called daddy! and what a beautiful accident this was. A band that even though have a super following online were so humbled that I'd asked to cover them for my opener for this re branding. These guys deliver a new age tone to the 'Pop Punk scene' that would even keep the OG's at the back reminiscing about the 'good ol' days before arthritis kicked in.

Welcome to 'When Thieves Are About' 


Who are they? If you don't know then you soon will

When Thieves Are About are a quartet straight out of New Jersey and signed to label Manic Kat Records, they are; 

Alfredo Diaz (vocals/silky Rhythm master)
Ryan Struck (vocals/stringslapper)
Mike Green (fret fiddler)
Josh Smith (Skin destroyer)

Senescence


It's time to see what 'When Thieves Are About' are actually about. Starting with the 2014 E.P called Senescence which was recorded at Guerrilla Recording, Highland Lakes NJ. It sounds like a summer BBQ vacation location with kegs and bikinis and you know what? It doesn't disappoint!

It's got all the elements of a beautiful record with the opening track of Wasting All Our Time which has a Death Dab For Cutie vocal to get the party started that kicks in to a full vocal performance with harmonies all over the place that blend together like a perfectly formed banana smoothie. A bass line that is so dirty ripping over the top of the sharp distortion and I'm already pulling out my diary to write the latest entry. The balance of youth and maturity on this track is beautifully captured and the growl in the vocal smacks you around the chops like a dominatrix with no safe word.

Do You Belong To The Physics Club? is an absolute power horse of a track lasting as long as I do in the sack. It's 1:12 (don't be intimidated ladies) of a 'this is what we can do' musical timeline from straight up Punk to Emo to Pop Punk power. The perfect blend of musicianship.



30 Stones is is an absolute beauty of a track and Celtic New Year shows some maturity in both musicianship and lyrics. The fast upbeat tempo filling the air with fist pumps and banging heads, Mohawks waving back and forth and the smell of dreadlocks lightly grazing on your nostrils before the perfectly timed breakdown that brings you back to earth again.

I for one love how this band make me feel, they are honest, grafting and clearly talented musicians and that for me shows on each and every track on this EP! Passion for me wins every time but when that passion can pull you out of a hangover and carries you onto the next party you've genuinely found your sound.

Chicks will be getting 'WTAA' tattooed on their ass very soon, right next to my name

EP Rating 4/5



Track Listing;
Wasting All Our Time
Do You Belong to Physics Club?
30 Stones
Hangin' With Michael Keaton
Welcome To November
Celtic New Year.

Get this on Bandcamp (Name your price)


Single


Since releasing the EP  they have released the track Youth Decay and placed it into the ever growing world of digital download and let's not fuck about here it's beautiful. Imagine looking out o the window on an autumnal morning, Golden leaves on the ground, naked trees, a dampness that smells so sweet and a heartbreak that only YOU will understand.

The harmonies remind me of every NOFX track ever placed into our ears with a 'Taking Back Sunday' roar that rears its head on special occasions and a warmth of the Ataries and I won't lie I'm genuinely on my 20+ listen and I could keep going.

You'll find this on iTunes, Spotify and all over social media.

Rating 4/5



Interview

So before I introduced 'When Thieves are About' to my Mum I figured I should do a little bit of character referencing so I hit them with a Q&A session (Josh is now not allowed to meet my Mum) and this is what came back..........

Do you remember the first time you fell in love with music? 

Alfredo- Yes, I was about 6 years old and sitting in the car with my father. He pulled a tape out and said "do you want to hear the best band ever?" Popped in the tape and it was the Beatles- Come together. Moment I fell in love with my favorite band and music. 

Mike - "I've always hated music and continue to, to this day..."

Ryan – I remember really loving all kinds of music as a young kid, but when I heard Evil Empire by Rage Against the Machine, I knew I wanted to play bass.  When I heard Dookie by Green Day, I knew I wanted to play punk.

What do you think is the best song ever written and why?

Alfredo- God only Knows by The Beach Boys. Why? Because It just is  DAMNIT! lmao

Mike - "Music is subjective; it's dependent upon the experience and interpretation of it's listener. But, if I had to pick one, it would be Beethoven's fifth symphony. Does that count as a song?"

Ryan – I don’t know if it’s the “best song ever written,” but I firmly stand by Stone Temple Pilots’ “Interstate Love Song” as my favorite song ever.  Written in the best key for guitar (E Major, you can do so many fun things with open strings), the verses run down a chromatic scale from the minor key (one of my favorite things NOFX does in a lot of their songs as well), and it brings back such thick memories of being a happy kid in the town I grew up in.

If you could 'make love/fuck' any song what would it be and why?

Alfredo- The I love Lucy theme song on repeat because it's funny to me lol

Mike - "The Beltsville Crucible, by Thrice. It's just very self-aware. There is a lyric near the end, 'you've got to play it again,' which usually comes, right before, I play the song again. 

Ryan - It would most certainly be “Shimmy Shimmy Ya” by Ol’ Dirty Bastard.  Because I, too, like it raw.

What's your fondest childhood memory?

Alfredo- Winning tickets to see Blink 182/Alkaline Trio/Sum 41 off 92.3 k rock and while at the show I was all the way at the front and they had to pull me over the rail before the last song of blink because I was feeling sick. They pull me over the rail of the gate and started to puke. They took me to the back area to see how I'm doing and give me water. While waiting to be checked on, I met Tom Delong because he walked right up to me to see how I was feeling because he saw me puke Lololol. That rocked.

Mike - "I build a swing set myself, hung it from a tree in our front yard. Then my older sister cut it down. Too dangerous she said, seeming perturbed. She cared to ensure that I did not break my neck on the driveway! That was, so sweet, and unexpected."

Ryan– There are far too many.  I really enjoyed spending time with my grandparents.  My grandfather used to love listening to Sinatra and I just loved being with him listening to the music and being silly.  My grandmother used to let me stay up with her really really late, eating candy root beer barrels, as long as we watched stuff she liked, which was usually a medley of M*A*S*H, Murphy Brown, Cheers, and Golden Girls.

What would be your ultimate line up for a one night only gig Dead or Alive?

Alfredo- Wow... my dream would be to play with so many bands... would love to play with the Beatles of course also nirvana. Would love to play with Greenday, blink 182, NOFX, sum 41.

Mike - "There was a real show recently that came pretty close - The Descendants with Such Gold and Modern Baseball... Too bad it was one night only, and 3,000 miles away in San Francisco. I'd really like to bring back some dead metal musicians. I never got to see Pantera or Death, so both on the same show would be my pick." (Editor Jonny nods in approval). 

Ryan – I don’t care about any other band as long as Minor Threat is playing.  Or 1997 Wu-Tang.

Who gave you the best live experience?

Alfredo- To be honest, I've seen some great shows. It's Paul McCartney. His amazing at emotional level to me so that would be it, but Greenday is great, Leftover Crack is great too. Watching The Blood Brothers was an amazing time too. A Wilhelm Scream rules. Set your goals, Daggermouth, and Such Gold all great shows.

Mike - "Saturday night live."

Ryan – My first warped tour when I saw NOFX and they played “Reeko” amongst every other great song.

Who's your favourite Disney villain?

Alfredo- Captain Hook 

Mike - "KYLO REN LOL"

Ryan– I love Gaston from Beauty and the Beast.


Musical dream?

Alfredo-To make a living off of music.

Mike - "If one person's day is improved by hearing our music then that's good enough for me."

Ryan – It would be a dream to be able to make a living playing music every night without having to be away from my family for long periods of time.

Musical nightmare?

Alfredo- Losing the ability to play.

Mike - "My life."

Ryan – Being booked for a show with Leftover Crack on New Years Eve and showing up the jalopy they’re calling a “club,” only to find out that there, in fact, is no Leftover Crack playing.  Instead, you’ll be playing with a Hitler-youth band…and they bring 5 friends, the only 5 other people in the club….and they’re in the military, home on-leave….and when it’s finally your turn to play, you break a string.  The only other bassist in the building plays lefty, so he has to actually take his string off and lend it to you for the set.

What made you start a band, what was the driving force being it?

Alfredo- listening to the Beatles, Greenday, Blink182, nirvana were the driving forces that made me want to start this band. Also my family are really into music and that was a huge inspiration.



Mike - "I like playing music (which may be surprising given the last nine questions). My dad drives me, though. He wants to me to get "further" than he did musically -- whatever that means. It's not a dynamic I enjoy, but it does exist."

Ryan – I wanted to make the kinds of songs I liked listening to and spend time with my friends.  I also was 15 and really felt the need to wear all black and scream at the top of my lungs in front of people, as I was no longer a “happy kid in the town I grew up in.”

These guys have made a lasting impression on the Behind the Beat Team. Check them out....

Article by Jimmy Tinsley

Follow Them: Twitter/Facebook/Website


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Wednesday, 12 October 2016

Olde - Heavier Than A Dead Elephant

Olde, a band from the greater Toronto area, have a mission statement to fill your soundscape with crushing Doom metal. They sent me a copy of their recently released EP, Shallow Graves for me to see precisely how crushing they are!

Shallow Graves




Absurd Conditions opens the EP and smacks you between the eyes with wrecking ball heavyness. You're introduced to Doug McLarty's vocal which is a controlled growl that's delivered so well. An enjoyable track, and just at the point when I thought, this either needs to end or go somehere else, we get a nice lead guitar line to see out the song. A good straight Doom track.

When I first heard the next track, Endless, I was just pulling away with my daughter from a kids party in my car. When the riff started I shouted "that's fucking brilliant" much to the bemusement of my daughter and the parents leaving the party with their kids. I don't use swears in front of my girls, but like the brown note that makes you shit yourself; this was a natural reaction caused by the deep heavy southern tinged brilliance of this track. If she repeats it in front of my wife I'm sending her Olde's way. Simply brilliant track.

Limb from Limb is a heavy bluesy, rock n rolling cover of Motorhead. Lemmy may have been quite impressed by the vocal delivery on this, with McLarty's bluesy growl, different in style but carrying a similar attitude and grit the world loved Lemmy for. A fine cover that captures the Rock 'n' Roll of Motorhead, but keeps a clear Olde identity.



Olde then use final track, The Turning, to show their diversity, and it's good. Again immensely heavy, but with that it is also thoughtfully composed with some great riff work and a standout strong drum performance. Along with the usual formative Doom style they add pace in parts and musical ambience in others.

Conclusion


In terms of their promise of delivering crushing Doom, Olde succeed on all counts. It's as heavy as a dead elephant carrying Bill Gates' wallet. But there is still an emphasis on delivering great, listenable music. The riffs stay in your head long after you stop listening and the rythm section is on point throughout.

This is a very enjoyable EP and for less than £3 on Bandcamp it's a great addition to any Doom collection and worth a spin for all metal fans. I'll be treating myself to the CD version of this one for sure.

Score 4.5/5



Olde are:

Ryan Aubin - Drums
Doug McLarty - Vocals
Chris Hughes - Guitar
Greg Dawson - Guitar
Cory McCallum - Bass


Follow Olde: Facebook/Twitter

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Writer: Jonny Radley


Tuesday, 11 October 2016

Introducing.... Safeguard

Who the fuck are Safeguard?


Well guess what you're gonna find out!

A cheeky 4 piece pop punk outfit from the mean streets of York, UK. They are made up of Declan Gough on vocals, Martyn Marsh and Richard White of guitars and Zak Lonsdale on Bass. They are currently without a drummer.

These dudes have released a little teaser track on Bandcamp just to get us all a bit moist and to be fair I've got a feeling I'm gonna have to grab a mop!



I put together a little 'getting to know you' Q&A with some very important questions regarding who the band are as humans and the answers were golden....

Do you remember the first time you fell in love with music?

Declan: I remember the first music video I ever saw as a kid was 'Should I Stay or Should I Go' by The Clash and just thought they were so goddamn cool, after that music became part of my life. Even from like 6 years old, I would always sing and would like tap my foot along to songs, sometimes without even realising.

Zak: When my Dad used to drive me back to my Mum's and he'd play the American Idiot and Motörhead CDs in the car.

Martyn: My mum was in a Brass band so had music in my life from a very early age.

What do you think is the best song ever written and why?

D: Bohemian Rhapsody, bit of a generic answer I know but Jesus, what a song. The song has no chorus and is still unbelievable.

Z: Gonna have to be generic as hell and say Bohemian Rhapsody, it's just a flawless song.

M: Konstantine by Something Corporate. The feels.

If you could 'make love/fuck' any song what would it be and why?

D: Probably something by Marvin Gaye or Barry White, those songs just ooze sex.

Z: Probably anything by Taylor Swift, guilty pleasure for days

M: Bad Touch by Bloodhound Gang

What's your fondest childhood memory?

D: Sitting around with absolutely no worries in the world stuffing my face watching Drake and Josh, Rugrats or Dexter's Laboratory, those were the days.

Z: My dad attempting to teach me guitar and losing interest after a week because I started very basic stuff on a terrible acoustic

What would be your ultimate line up for a one night only gig Dead or Alive?

D: Blink, Nirvana, Oasis.

Z: Blink 182 and Green Day circa 1999

M: Hit the Lights, Something Corporate and Blink 182 (with Tom)

Who gave you the best live experience?

D: Quite recently seeing Twenty One Pilots at Leeds Fest 2016, their live show literally blew me away.

Z: Red Hot Chilli Peppers

M: Weezer, Leeds fest 2010. Rivers Cuomo is a madhead.

Who's your favourite Disney villain?

D: Probably Scar from The Lion King.

Z: Sid from Toy story, he's my current hair inspiration

M: Randall off Monsters Inc. At first I thought it was John Cena because you cant see him.

Musical dream?

D: To be able to tour America with mates and amazing bands.

Z: Being massively recognised in the alt music scene

M: Play warped tour

Musical nightmare?

D: To never be able to tour America with mates and amazing bands.

Z: Being compared to 5SOS

M: Declan singing with an American accent.

What made you start a band, what was the driving force being it?

D: When I was a kid, I LOVED Busted and McFly (their songs were good ok). Listening to them and watching them play guitar and jump around made me want to learn guitar and be in bands. Then my first album I ever bought was Green Day's American Idiot and that was what got me into alternative music. My dad and cousins also played in live bands so I guess ever since I was young, I've wanted to be in a band.

Z: The want to have music I'd written and was proud of be recognised and enjoyed.

M: Doing something you love and sharing it with others who can take something from.

Finally we had to clear up the "Is a Jaffa Cake a biscuit or a cake?" debate. According to these guys the Jaffa cake is in fact a cake. Fuck the biscuit isle!

Check out Safeguard now. Follow them on Facebook and Twitter

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Article by James Tinsley

Monday, 19 September 2016

Meet The Writers

With the new look and name of this project comes a new contributor. So we thought we'd take the opportunity to introduce you to ourselves. We've done a little question and answer for each other to give you a bit of insite into our musical journey.

You might not care, but we're doing it anyway. 

Jonathan (Jonny) Radley



The metalhead. Creator of Jonny's Heavy Metal Blogs and Reviews, the first incarnation of Behind the Beat music blog.


Q) Do you remember the first time you fell in love with music

A) Probably when my Dad took me to all the local rockabilly shows. We used to go to Horncastle every weekend and I'd buy a 7" vinyl single. I didn't know what I was buying but just picking one I looked the look of and that was enough for me. I was the only kid I knew with a record player in my room!


Q) Now I know you're an axe man but who was it that drove you to pick it up for the first time

A) One man, Hendrix.


Q) If you could 'make love/fuck' any song what would it be and why

A) I don't even know how to answer that.


Q) What's your fondest childhood memory 

A) Buying alcohol at 14.


Q)What would be your ultimate line up for a one night only gig (Dead or alive)

A) Hendrix
Pink Floyd
Led Zep
Co Headliners: original Skynyrd Line up and Pantera and Sabbath


Q) You have two beautiful daughters, who's sound are you introducing them to in this day an age.

A) Rose liked the Trooper by Maiden as a baby. It'd always settle her if she was upset. However she is still adamant, and has been for a few months, that Slabdragger's Rise of the Dawncrusher is her favourite CD. She also likes Adelle a lot and I can live with that, JUST.


Fleur likes Twinkle Twinkle Little Star and Old McDonald. I mean each to their own, but that shit's just to heavy for me.


They have both heard the entire back catalogue of Crowbar and Orange Goblin and it did not impress them almost as much as it should have.


Q) Who gave you the best live experience?

A) For pure sound Black Label Society. For immense performance Lamb of God but I'd have to say for my own excitement and memories of fun times it's gotta be Down every time. 

Q) Who's your favourite Disney villain?

A) The fat octopus witch from Little Mermaid, devine evil hoebag.


Q)What makes you write about bands, what's the driving force behind it all?

A) It's a hobby. I like the aspect of hearing new music, discovering bands and learning about underground music. Also I like to think it occasionally helps the artists.

James (Jimmy) Tinsley



The Punk rocker. Based in Manchester. Has a passion for live music. The man with a tongue so silky you could weave a scarf. 


Q) Name and Rank?

A) Jimbletron the deceptercon


Q) Favourite band/musician? 

A) Blink 182/travis barker


Q) Why them?

A) They are the ultimate don't take yourself too seriously band which assists with my Peter Pan syndrome I've got going on! On a serious note though they're fun and they represent everything that I'm about! If you were to say 'yo jimmy, what's your personality' I'd just say 'American pie and blink 182, go work it out'


Q) How did you get heavily into music?

A) It all started for me with green day man, Jonny long cock (the very same man above) had this tape of Brain Stew/Jaded and I made my dad play it in the car on the ride home from his. I just fucking loved that sound it was like speaking to me on a whole new level! The next weekend I walked into Our Price and bought Insomniac with my pocket money! That album changed my life.


Q) If you walk out of a door without facing forward, do you hit your huge nose on the door frame?

A) Absolute lolz, rumour has it, yes.


Q) Music Dream?

A) Having a personal drum clinic with Travis 'mother fucking' Barker


Q) Music Nightmare?

A) Justin fucking Bieber


Q) What do you think is the best song ever written and why?

A) Pink Floyd 'Wish You Were Here' it's just a beautiful song that speaks to any listener.


Q) Which single musician inspires you most?

A) Travis Barker, he's just one sick dude.



Q) Best live experience.

A) Rancid circa 2003. I went in on such high hopes and they were just insane not a single boot wasn't giving the Roots Radicals.




We hope to bring you plenty of content covering multiple genres, with album, ep and single reviews, live reviews, inteeviews and introduction articles. 

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