Showing posts with label Thrash. Show all posts
Showing posts with label Thrash. Show all posts

Saturday, 19 November 2016

King Minos - The Minos Touch



In Greek mythology King Minos, the first King of Crete, was a bit of a grim bugger. In life, he made made King Aegus choose 7 young boys and 7 young girls to send to a labrynth to be devoured by a Minotaur every 9 years. In death, he was judge of the dead. He could often be seen with a snake attached to his pecker via it's teeth. 

All in all a gruesome, hard bastard. So basically, King Minos is a FUCKING GREAT name for a metal band. I think it was either that or 'pecker snake', and the UK based thrashy trio made the right choice......just. 



The opener, Destroy By The Use Of Violence, has a vocal performance with growl and grit. Musically its busy and interesting with some nice touches with the bass and drum stabs. There is a brilliant seamless transition between deep heavyness and high end melody on guitar. The track has a definite groove element and at points also took me back to Diabolos era Slayer, an album which holds many great memories for me. 



Get All The Knives doesnt hang about in giving you a shot to the jugular. This tracks grinds and pounds relentlessly and repetitively which accentuates the first breakdown when it hits and adds to it's effectiveness. Towards the end of the track it again slows, this time creating a chilly, menacing feel, added to by the evil laugh seeing he track out!

As soon as Eschaton begins you can tell this is going to be musically excellent. Heavy and choppier than a pork cut, with chaotic but tight drumming, this is intense. The vocal is abrasive at first but you soon adjust. Melodic elements of the guitar work and the way the vocal cuts through remind me again of Slayer. This is not their only similarity with the behemoths of thrash, as they're not afraid to take on things that are high on the political and worldwide agenda lyrically. For me, they saved the best 'til last.




Conclusion

This is a musically excellent release, all instruments in crushingly heavy tandem, creating a dirty, thrashy, grinding, bowel adjusting noise.

The vocals, shared between all three members, are at times Serj Tankian, at times Tom Araya and at times Max Cavalera! Abrasive on the first listen, but once you adjust to the tones you realise their almost another instrument adding to the heavyness.

A good EP offering some sound song writing and raw energy. I think theres scope for some great music from these guys and I'm looking forward to hearing it.....

Score 3.8/5



Get it here


Follow King Minos: Facebook/Twitter


Written by Jonny Radley

Sunday, 16 October 2016

Introducing..... Reign of Zaius




The world's future is bleak. In just under 2,000 years, when highly evolved Apes have replaced humans as the big dogs, the world will be on it's last legs.

How do I know this?

Beacuse I listen to Reign of Zaius and they are here to warn us.

They proclaim to be renegade Ape scientists who have travelled back from the almost destroyed Earth to warn us of the horrors and doom we are leading ourselves into.

Well that was the plan, until a spliff was smoked. Then they ascended into the world of fuzzy stoner rock and instead geeked out on horror, comics and video games. And this is what we're left with.

Our future is fucking doomed, and it's their fault. Luckily they play some good shit, so I'm already over it.

Planet Of....



Reign of Zaius released their EP, Planet Of... on 13 August. It is brimming with sci-fi, horror references, such as all out stomper Deliver Me, that starts with that epic sequence played by the banjo boy in Deliverance.

Davis Zaius (Bass): "There's been a general pop-culture theme to the band, going back to its very name. Most of our songs focus in some way on comic books, video games, sci-fi, fantasy, and of course horror. Just like the best sci-fi or horror movies, we like to touch on big, serious themes but keep them cloaked in something a little more light hearted."

Gorilla Monsoon (Drums): "If you're into heavy, dark music odds are you're probably drawn to the same type of things in TV, cinema, or literature. Personally, I like the challenge of taking something perceived as vile or chilling and making it not just palatable, but catchy. "Farewell to Arms" (our tribute to Evil Dead 2) has a four-on-the-floor dance bridge in the interest of seeing how to make chants of "Dead By Dawn" and "I'll Swallow Your Soul" work as hooks. "

There is a plethora of catchy hooks and tracks on this EP but they also show off a great range of styles, incorporating aspects of thrash, hard rock, heavy metal into their Stoner Rock cauldron, which makes them stand out as original.

Phantom Cosmonaut (Guitar): "One of the real strengths of this band is that everyone is coming from a slightly different direction, style-wise. That makes the end result something unique and usually difficult to categorise."

Davis Zaius: "We come at a song in terms of what feels right for everyone in the band, and what we think will move the crowd at a live show. We often try to make the unusual or unexpected choice, especially where the rhythm section is concerned, without delving too far into self-indulgent prog rock. A song can be complicated, but it's got to stay groovy."

Leon "Space" Chase (Vocals): "So, most of what you hear is the unconscious product of five different people's tastes and tones smashing into each other, and just seeing what sticks."

Imagine if you will, a stoner rock band with triple threat vocals of Ozzy Osbourne, David Bowie and Dave Mustaine! Catchy opening track Hate Parade made me think of this very scenario and it works well. I asked the band members where their vocal influences come from, comparing the performance to a couple of these artists, and it's a wide and varied set of singers.

Leon "Space" Chase: "While neither of those was my intention, I'll take them both as a huge compliment. I would add Arthur Brown (Uk 60's pop star), Rob Tyner (MC5)".

Davis Zaius: "Mike Patton!" (Faith No More)

Leon "Space" Chase: "Also, Perry Farrell (Jane's Addiction), and of course Ozzy".

Orcs of the Nevermead sounds like a track that could have been written by the aforementioned Dave Mustaine for Megadeth back in the days where he may not have taken him self so seriously. Full of thrashy intent but not quite heavy enough to be thrash, I'd think it'd be a crowd pleaser live.

Tracks like Out to Get Mine and Power Hitter give bassist Davis Zaius a nice stage to show his creativity and ability to create interesting sounds. Out To Get Mine starts with a distorted bass and a dirty ground out guitar riff. It opens up nicely into more catchy riffs, nice solos and good breakdowns. Powerhitter has some effective effects on the bass in parts. It is also a 100% party track which closes the EP on a high note.

Reign of Zaius also give a nice sonic nod to the bringers of doom, Sabbath, in They Live and Farewell To Arms. They Live also has a hint of punk in the chorus and Dead by Dawn is blessed with a splattering if classic metal and opens with the classic line from the film of the same name, "I came here to kick ass and chew bubblegum, but I'm all out of bubblegum". Upon hearing this my 3 year old immediately stated she wanted to go to wherever "here" is because it sounds fun. I checked with the guys but I think I'll be keeping her away for now!

Gorilla Monsoon: "I dunno, a busy bank with aliens and a shotgun-brandishing Roddy Piper might get a little dicey, but you're the parent so that's entirely at your discretion."

Leon "Space" Chase: "Still, I think that the average 3-year-old is probably very in tune with what we do."

Davis Zaius: "Quite."


Power Hitters



There is a lot on show with this band. The EP captures a very authentic live feel. If there was spoken pieces in between each track from members of the band (I'd like to imagine some comical warning against some flesh eating cyber virus due to bit us in the year 2134) I may have thought at times it was recorded at a gig.

Creepy Mo (Guitar): "Our goal was to get a quick-and-dirty recording that showcases what we actually sound like together in a live room".

It is safe to say the goal was achieved successfully.

Take away the brilliant back story and good time vibe though and Reign of Zaius treat us too some real catchy hooks, an interesting and varied vocal and an occasional understanding from the guitarists that they can build some interesting layers of sound by going their own way. Finally I get a real punk ethos feel from the whole project, from the rough and ready sound to some of the delivery.

Who Are You and Where Do You Come From?


Reign of Zaius settled in Brooklyn New York after their arduous journey back through time. I tried to finally ask them if this was the epicentre of some important future event, but they told me to shut the fuck up because they were watching Ash Vs Evil Dead.

They Are;
Leon "Space" Chase on vocals,
Davis Zaius on bass,
Vlad the Inhaler (AKA Phantom Cosmonaut) and Creepy Mo on guitars and
Gorilla Monsoon on drums.

If you want to hear their music go here and get the EP.

If you want to follow them and have a laugh (they post some great stuff) check out Facebook and Twitter.

Follow Them: Facebook/Twitter

Follow us: Twitter/Facebook

Writer: Jonny Radley



Sunday, 10 April 2016

Morti Viventi - The Day The Dead Returned Review Blog


The Artist

Morti Viventi is Adrian Heathershaw from Stamford in Lincolnshire (up the Imps). He is a one man band. Thankfully I doubt you'll see him around Stamford High Street with a drum on his back and a kazoo but probably instead in a studio laying down some ass kicking thrash riffs. 



I can genuinely say if I heard this album thinking it was a band I'd be excited about a U.K band (and being a yellow belly myself, one from Lincolnshire no less) I could really get into. But the fact this is the work of one man makes it all the more impressive.

He is signed to UKEM (United Kingdom Extreme Metal) records, a small independent label formed in 2011.

Listening to this I am left thinking, "no one else has brought any sandwiches or sausage rolls to this metal buffet, this guys gone all out on a culinary mission, and he still didn't forget the quiche". And I fucking love quiche. The tracks all have direction and creativity and all tick the boxes of what I think lots of thrash fans would look for; fast head banging riffs, skin melting solos and aggression.

Morti Viventi means "Living Dead", the album is called "The Day the Dead Returned", the sleeve  depicts a Zombie holocaust and the songs are about......... puppies! Of course they're not, they are obviously about Zombies. 



The guy clearly knows his Zombies, in fact I bet he watches walking dead and is wondering why Rick Grimes hasn't lost a hand and thinks "who are you Darrell?". However he is still also thinking "Satan below, they've done a great job of this. (disclaimer: walking dead knowledge is not my own but stolen from someone else, do not hunt me down and kill me if this is wrong, you fanatical nutjobs)

And this is a good analogy of this music, because he also clearly knows his thrash and in the song writing he has successfully used all the great elements of classic thrash whilst giving it his own stamp. 

Sometimes when metal is so heavily themed on a particular subject they get labels like "Pirate Metal" or "Viking Metal" but this is not a trend I like and I think it can sometimes deflect from the technical and song writing ability of a band. I believe this to be the case with Amon Amarth for instance. I hope it does not happen here, for me this album is balls out and swinging in the wind thrash, with some sprinkles of groove.

Album Overview

The Day the Dead Returned... opens with Hell On Earth, an all out thrasher. He has made a video, sadly not Zombie apocolypsey, but that gives an insight to the recording methods. 


This is followed by the extremely impressive title track "The Day the Dead Returned". It is an epic anthem with a great melody running throughout. 

For me in this song the real magic happens happens half way through where it breaks into almost a new track. It has a slightly different direction and dare I say it, guitar parts I wouldn't have been surprised to hear laid down by Dimebag! (Take a deep breath, yes I said it!) 

Whorehouse of the Undead is a speed driven track with a great groove laden passage that really breaks the track up nicely.

"Maniac/Face the Shape has one of the best intros I've heard on any record in a long time. This possibly has the most hooky elements on the album. It would certainly get me in the pit in my local metal club, if i could lift my feet off the sticky floor enough to make my way to the dance floor. 

"Spawn of Another Kind" returns to a more classic thrash sound with a strong solo and some well thought out riffing.

This then brings us into "The Arrival of the Anti-God" This is an instrumental piece and it us quite frankly brilliant. Very much a musical journey which could quite easily be a soundtrack to a Zombie Apocalypse. 

Finally "Thrash Or Die" is a great way to finish the album, a fast aggressive track fitting of its title. 

Conlusion

There are no faults I can pick at with this album. Having listened to it now in excess of 10 times, I'm not getting bored, I'm just finding more I like about it. 

The production is good,  the song writing is brilliant and it has all the riffing and solo quality I could ever ask for.

You can listen to it below, however I'd urge you to seek out and buy a copy or enquire with UKEM about another pressing. Buying it will support this great independent label as well as this excellent artist and encourage further releases.

Also, I think most metalheads will consider it money well spent due to the genuine quality of the album.
This is an album you'll been dying to get your teeth into!..... oh c'mon, I've got to have at least one lame Zombie joke.



Folow Morti Viventi
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Twitter: @MortiViventiUK

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