Circle of Dust - Machines Of Our Disgrace

If all you want for Christmas is not to listen to Mariah's mind numbing rectal discharges but hear some ass ripping industrial metal and electronic music, with some of the most satisfyingly crisp production you're likely to hear for a while, then Circle Of Dust going to be for you.

Producer/artist Klayton, who some may know from his work with multi-genre project Celldweller, is back creating under the pseudonym Circle Of Dust, who he has released 4 other albums as, the last one being twenty years ago!

I have to say I'm not familiar with his previous work as Circle of Dust, but after hearing this album I intend to be and am at the same time disappointed in myself.

Machines Of Our Disgrace

From the start of the first track, Re-Engage, onwards I was drawn in by a stunning quality of sound which is carried through the entire album. I took the opportunity on a long drive down to London, to preview a couple of tracks to my pal, who is an electronic music producer himself, to gauge just how good it is. He was wax a lyrical about the what he heard. My belief that this is brilliant work was confirmed.

In songs like title track Machines of Our Disgrace and Contagion, Klayton displays a flair for amalgamating catchy riffs, elements of classic metal sound, quality use of samples and electronics and song composition that holds the listener. This mix of skills creates intrigue and genuine moments of "holy shit this is brilliant"!

Then with racks such as Embracing Entropy (featuring Celldweller), alt_Human and Hive Mind Klayton introduces a more outright industrial style.

Embracing Entropy and Hive Mind, amongst others on the album, have a splattering of poppy hooks and a glorious tinge of 80's electronics, whilst never losing an alternative edge. alt_Human is peppered with industrial soundscapes and is full of edgy ambiance. As a fan of electronic music, outside of my metal fandom, these tracks tick a lot of boxes for me.

One of the biggest highlights for me is the track Humanarchy, which is an aggressive gem. Mixing growling vocals and the machine gun double bass with industrial noise, juxtaposed by a melodic, catchy vocal chorus it's a great all round performance. Neurachem balances bravely on the edge of metal and electronica which would normally irritate the tits off of me but this doesn't which is helped in no small part by a groove aspect that is impossible not to enjoy.

Conclusion

This album covers so much ground, including industrial metal, electronica, classic metal, pop and incorporates some fantastic voice samples, which along with the incredible production, culminates in a seriously good release. Klayton shows off an undeniable multitude of talents in terms of song writing, multi-instrumental-ism and production. It will please industrial metal fans as well as fans of multiple genres.

On release this will be going up on my genius production shelf alongside Ils - Bohemia and Mars Volta - De-Loused in the Comatorium.

Score 4.8/5

Follow Circle Of Dust: Facebook/Twitter

Pre order on Bandcamp  or on FiXT (Both Worldwide). 

Skin Drone - Evocation

Skin Drone are an extreme metal duo who incorporate elements of tech metal, industrial and avant garde. Sound scary yet? Well it is, like Freddy Krueger is scary, it's exhilarating, fascinating and scary. (Yes that's how I feel about Krueger, best monster ever, deal with it). 

This noise is created by Erik Martin (vocals and multi-instrumentalist) and Otto Kinzel (multi-instrumentalist and production). What is particularly impressive is that they create this whilst living very far apart, one in Boston MA and one in Hot Springs Arizona. They don't sit in a room together jamming this out, it's done cross country.

Evocation

Tracks such as Scarlet Road and God Complex don't hang about in telling us what this album is all about, with relentless double bass and technical heavy and in parts melodic guitar work.

Scarlet Road itself breaks down into a dark spoken interlude then it smacks you in the teeth again very quickly. Whilst extremely heavy the vocal is understandable, a great skill.  A second breakdown of ambience offset by the demonic vocal leads into my favourite heavy part of the track, which displays interchanging off riffs that are fat and heavy.

God Complex also has an atmospheric haunting section that leads into the best guitar riff of the track. Lyrically, to me, this track is interesting. My interpretation is that it is commenting on the tyranny and control of organised religion but it can just as easily be seen as addressing faceless corporations who control us through advertising and building a religion of consumerism. Deep I know, but I appreciate the way it gets you thinking, it's intelligently written.

Death Sentence whilst insanely heavy, is slightly more reserved and has elements that remind me of less underground acts such as Slipknot. Whilst Skin Drone would have the masked fellas running scared as a general rule, the riff work has its comparisons.

Shepard Of The Damned starts musically dark, moody and quiet with spoken vocal parts. It feels like mad ramblings and sounds in a murders mind. When I read the lyrics, it seems to portray a revenge killing, and this goes to show how well these guys paint a picture through music and vocal delivery. So far this is the most laid back track and it has a beautifully played guitar outro.

Ghost Reflection is a very nicely written airy light interlude, still slightly menacing but juxtaposed by the sounds of nature creating a relaxing feel, which is well timed on the so far intense offering.

But don't get too comfortable, City Lights opens up with a thrashy riff. This soon becomes and amalgamation of thrash and tech metal style guitar with the million mile and hour drum beats. Guitar wise some of the riff work is impressive on this track. A story of a man mutilating himself under the instruction of God reinforces the macabre subject matter throughout this album.

Witching Hour takes us back to the incredibly heavy side of life following the effective previous formula of including a breakdown, taking it a different direction within a breath.

Darkness Within throws in a nice surprise. It's a more straight industrial metal track in parts which holds back on the relentless drum speeds for the most part.

Salvation ends the album on an epic note weighing in at over 8 minutes. It is also by my favourite track. There is lots of elements on display, from magical programmed sounds, to straight heavy metal, to extreme metal. It also has my favourite drum work, with the bass drum having less speed and more form than in any other of the heavier tracks. This is a great way to see out the album.

Conclusion

This is one of the hardest albums I've had to give a score to, but I like a challenge.

At times the relentless heaviness of the bass drums was too much for me, especially when I heard the finesse of programming ability in tracks like Salvation. Having said that, for fans of extreme metal and/or industrial metal I don't believe it'd be a negative, and that is ultimately the target audience.

The album is well thought out in terms of track order, the softer tracks appear at the right time, to relieve some of the intensity. Whilst the tracks at times have a similar formula in terms of the mood driven spoken word break down but in terms of composition and delivery it has some incredible moments, I particularly enjoyed the sound scapes they create in some of the breakdowns which scope from sublime to sinister.

Finally the way the music supports the lyrical content in creating mental imagery is second to none.

This music is immensely heavy, busy, dark, tense, rage driven and almost psychotic. And this is exactly what fans of extreme metal want. So this is not a negative, in fact it delivers in droves.

This is their first album and they promise to get more complex and heavier! Now THAT I gotta see......


Highlights: God Complex, Salvation; Shepard Of The Damned

Score 3.8/5

Buy It

Follow Them: Facebook/Twitter

Follow us: Twitter/Facebook

Writer: Jonny Radley