I already spoke about Fuckjar here, and I am now firmly a fan of the band. Their brand of heavy sludgy goodness and screamed vocal style is something I'm buying into, big time.
But what of Prisa Mata? Well the name roughly translates to the rush kills you, which seems to be a saying in Spanish speaking countries to reinforce their laid back lifestyle and say chill the fuck out dude!
Who Are They?
The band members are from England, New Zealand and Spain but are based in London and started jamming in 2014. They comprise of Jaz on guitar and making general noise, Raquel beating the bejesus out of the drums and Mark on Bass and throaty vocally depths of hell noise!
Their sound reminds me of some of the desert metal/rock from the likes of Kyuss, but dirtier with a topping of sludge and a understated psychedelic direction. They use a gutteral monosylabic scream style vocal which us used more as instrumentation rather than to deliver lyrics.
The Match Up
The match up between Fuckjar and Prisa Mata works. Both are extremely heavy, write monumental slow sledgehammer riffs and maintain a screamed vocal throughout.
However, they still have a very definitive personalities. On the whole Prisa Mata keep it slow, and have the deserty Kyuss on steroids with a twist of psychadelia vibe I mentioned before.
Fuckjar on the other hand, have faster vocal delivery, out and out heavyness and schizophrenic moments of brilliance. This makes the split a nice little window into both bands' trajectory.
Firstly shout out to the artist, Darwin Drawin, as the cover is frankly brilliant!
Fuckjar's contribution begins with Flesh Engine God. Straight away I'm hit by the improvement in sound quality whilst keeping the same raw, authentic feel. The riff is more complex and stoner-like than the demo and again shows a progression. After the breakdown the song becomes so intensely heavy and slow, with the same screamed vocal offering a juxt opposition. It's a great start and getting me amped for the rest of the EP.
Compliance Through Abuse starts at the same pace, slow, but soon breaks into a hardcore edged onslaught, a different sound to what I've heard from them before but another welcome style.
Carcass for the Hive is a slow, intensely heavy and dark offering. Full of atmosphere, feedback and tom work on the drums, it becomes a chugging almost mechanical onslaught. You can't help but be drawn into its sound and rythm.
I'll Get My Coat rounds off Fuckjar's contribution nicely, as in it's basically a feedback and distortion outro which couldn't really exemplify Fuckjar's general feel any better.
Prisa Mata's first offering, They Live, We Sleep is an Intro peice that follows nicely from Fuckhars outro with some heavy distortion and spoken sample.
This then filters into Soulburner which has a sludgy desert stoner riff. The gutteral monosylabic screaming style is something that makes Prisa Mata instantly identifiable. The quiet/loud dynamic created by switching between just bass and drums and introducing the heavier guitar works well in this track.
Ride the Sky is an 8 minute tripped out bit of brilliance. Dirty and heavy plodding guitars and bass, symbol crashing galore with some fantastic fills. The vocal scream is used to best effect on this track. It ends in psychedelic trip of guitar effects which makes you think there's so much this band is capable of in the psych realm.
I knew I'd like this as soon as I heard the Fuckjar Demo. What's taken it to the next level for me is two things. Hearing the progression of Fuckjar, whilst keeping the rawness of sound I like so much. Secondly it's Prisa Mata turning me on to a vocal style that previously if I'm honest, I may have dismissed, and broadening your musical horizons is never a bad thing. It works so well with the music and adds a valuable dynamic. I'd urge you all to listen to both these bands.
You can get the Ep on bandcamp in 2 seperate parts. Fuckjar's here and Prisa Mata's here for a price you name. As you will see you can also pick up a tape version of the EP for just £4. If you like the EP, surely this is a small investment for the collectors out there.
I hope you enjoy and get behind the bands.
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